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Jonas Mekas’s Movie Journal Artforum
The Eternal Exile: On Jonas Mekas’s Cinema of Memory and Displacement Los Angeles Review of Books
Jonas Mekas, Master of Avant-Garde Film, Shows His Tender Side (Published 2025) The New York Times
Jonas Mekas 4Columns
World War II Revisionism at the Jewish Museum Jewish Currents
Movie Review: ‘Art and Life: The Story of Jim Phillips’ Explored Artistic Glory Days InSession Film
Review: Diaries, Notes, and Sketches, also known as Walden on Microcinema DVD Slant Magazine
Make It Real: On Cinematic Autobiography, Part 1 Film Comment
Jonas Mekas, a godfather of American avant-garde film, dies at 96 The Washington Post
Once Upon 1969: The ’60s underground ends with Beausoleil and Anger Vanyaland
Jonas Mekas: the man who inspired Andy Warhol to make films The Guardian
To the Wonder (Terrence Malick, 2013) Bright Lights Film Journal
Jonas Mekas at the HFA: diary of a sane man The Boston Globe
An Anti-Cinematic Portrait of Jonas Mekas Hyperallergic
Dear Diary Artforum
Harvard Film Archive Harvard Magazine
Jonas Mekas’s ‘Walden’ and ‘Lost Lost Lost’: Avant-garde Autobiography (Published 2015) The New York Times
Jonas Mekas (1922–2019) Artforum
Blu-ray Review: Masterworks of American Avant-Garde Experimental Film, 1920-1970 Slant Magazine
Jonas Mekas and the beauty of autobiographical avant-garde cinema Far Out Magazine
‘Nico, 1988’: Film Review | Venice 2017 The Hollywood Reporter
You Are What You Shoot: The Autodocumentary International Documentary Association
DVD Review: Chantal Akerman’s Jeanne Dielman on the Criterion Collection Slant Magazine
Movies The New Yorker
10 Virtual Reality Films That Show the World in a New Light Scene360
‘My brain reaches for morbidity’: inside the unsettling world (and 700 Post-it notes) of artist Ed Atkins The Guardian
Dressing Solaris: notes from the costume designer of the greatest ever Soviet sci-fi movie New East Digital Archive
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