Latest News

‘Love Me Tender’ Review: Vicky Krieps Ignites an Elegant and Moving Portrait of Motherhood at Odds With Selfhood  Variety

DIFF 2025: The Love That Remains Review | A Meditation On Selfhood, Family & Lingering Heartache  Outlook India

EIFF25: ‘Little Trouble Girls’ review  Entertainment Focus

10 Psychological Movies You Need To Be A Genius To Understand Properly  ScreenRant

Clinging to an Ardent Hope: Eli Zuzovsky on Film, Selfhood, and Being an Israeli Writer Today  Literary Hub

Hit Man is a Thrilling and Hilarious Exploration of Selfhood  25YL

Anuparna Roy wins Best Director award at Venice film festival for 'Songs of Forgotten Trees'  The New Indian Express

Fragments of the Forgotten: Memory Loss and the Mystique of Identity in Indian Cinema  High On Films

New Books, by Dan Piepenbring  Harper's Magazine

YOUR FAVORITE DIRECTOR’S LEAST FAVORITE MOVIE [A&C]  The Brown Daily Herald

Review: Queer documentary ‘Break the Game’ to play at the Pickford  Salish Current

I Saw The TV Glow: A Tale of Selfhood  epigram.org.uk

Netflix's Pensive Stowaway Tangles with Issues of Morality, and Selfhood, in Space  Time Magazine

Mogul Mowgli review – Riz Ahmed tackles British selfhood head on | Berlin film festival 2020  The Guardian

Amanda Graves on Learning at the Movies  The Santa Barbara Independent

Queer Cinema, Top to Bottom  Museum of the Moving Image

Inga Wiehl: 'Educated' -- Abuse, education and gaining selfhood  Yakima Herald-Republic

Barbie the Existentialist  Commonweal Magazine

‘Love Me Tender’ Review: Vicky Krieps Ignites an Elegant and Moving Portrait of Motherhood at Odds With Selfhood  IMDb

‘The Sound Of Music’ Retrospective: Are the Hills Alive and Well 60 Years Later?  The Harvard Crimson

The Philosophy of Self-Destruction in Alex Garland’s Annihilation  Reactor

‘Magic Mike’s Last Dance’ Review: Steven Soderbergh Strips Series of Everything but Channing Tatum  Variety

False Positive Strives for Elevated Pregnancy Horror But Misses the Mark  Time Magazine

Jo Jo Dancer, Your Life Is Calling  The New Yorker

With ‘Saint Omer,’ Director Alice Diop Puts Motherhood Under the Microscope  W Magazine

Cloning the self in Mickey 17  Meer | English edition

My Emptiness and I  The Film Verdict

‘Peacock’ Review: A Zingy Austrian Comedy Follows a Friend-For-Hire In Desperate Need of a Real Connection  Variety