Verdi: Rigoletto

6.9
  • Genre:Drama, Music
  • Production:Unitel
  • Released:1982-01-24
  • IMDB:tt0253590
Rigoletto is a jester in the court of the Duke of Mantua. He has a hunch-back and he's rather unattractive, but he's good at his job of humiliating the courtiers for the amusement of the Duke. The courtiers, of course, are not amused. The Duke is a ladies man who feels his life would be meaningless if he couldn't chase every skirt he sees. In fact, we learn as the opera begins that he's recently been noticing a young lady every Sunday on her way to church, and he's vowed to have his way with her. What nobody realizes is that the girl is the jester's beloved daughter, Gilda, and that Gilda has seen the Duke every Sunday and is smitten with him. Suddenly Count Monterone appears at court, furious that the Duke has seduced his daughter. Rigoletto ridicules Monterone, the Duke laughs, and Monterone casts an awful curse on both of them. Later, the courtiers discover that Rigoletto is secretly living with Gilda...
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Latest News

Rigoletto – New Theatre, Oxford  The Reviews Hub

Final Jeopardy: Rhyme Time: Opera Version (5-8-24)  Fikkle Fame

Metropolitan Opera 2022-23 Review: Rigoletto  OperaWire

25 years later, the surprising parallels between 'Rigoletto's' writer and its main character  Deseret News

‘Rigoletto’ Review: Deco Drama  The Wall Street Journal

Metropolitan Opera's retro 'Rigoletto' in movie theaters this weekend  Tampa Bay Times

Verdi, Sinatra chat about Metropolitan Opera's 'Rigoletto,' set in 1960s Las Vegas  cleveland.com

There’s Still Hope for People Who Love “Les Mis”  The New Yorker

In 'Quartet,' Opera Singers are Retired but not Retiring  WQXR Radio

A Busy Baritone Gets Ready for a New ‘Rigoletto’ (Published 2022)  The New York Times

10 Excellent Film Versions of Operas  Meer

Bully’s tale is strangely satisfying movie review (2004)  Roger Ebert

New Documentary On Yannick Nezet-Seguin, Met Opera’s Music Director, Debuts Today In US Movie Theaters  Forbes

Pierre Yovanovitch erects a dramatic backdrop for Giuseppe Verdi’s 'Rigoletto'  STIRworld

Opera Meets Film: How Puccini & Verdi Aid The Comic & Tragic Meta-Narrative of ‘Quartet’  OperaWire

A ‘Rigoletto’ Reunion Just Might Save the Day (Published 2013)  The New York Times

GP at the Met: Rigoletto ~ About the Opera | Great Performances  PBS

Sandy Powell & Other Film Costume Designers Who Have Also Worked In Opera  OperaWire

Review: A Rice-A-Roni ‘Rigoletto,’ Verdi’s opera as a dated San Francisco treat  Los Angeles Times

Two Films in Which Classical Music Is Much More Than a Score (Published 2012)  The New York Times

‘Darkest Miriam’ Review – A Powerful Story Exploring Grief And Love [Tribeca 2024]  Geek Vibes Nation

Finding Drama in Musicians’ Discord (Published 2013)  The New York Times

Metropolitan Opera Announces 2023 Summer HD Festival  Playbill

What’s on TV This Week: ‘The Old Man’ and Juneteenth Specials (Published 2022)  The New York Times

Rigoletto review: High drama and impressive young singers  Daily Mail

The zaniest movie ever made at SLO’s Madonna Inn  San Luis Obispo Tribune

FILM NOTES – January 2022  Toledo City Paper

People are getting really creeped out by this one single chord in ‘Rigoletto’  Classic FM

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