Analytics
Tracking movie's recent download activities on BitTorrent.
How did the movie perform along each dimension?
Visualize sentiments and top keywords found in movie reviews
Latest News
Film Review: “Abuse of Weakness” — Encounter With a Monster The Arts Fuse
Zach Clark ( White Reindeer ) Talks Catherine Breillat’s Abuse of Weakness Talkhouse
Abuse of Weakness Reverse Shot
Cutting Very Close to the Truth (Published 2014) The New York Times
‘Abuse of Weakness’ a fantastical film drawn from real life New York Post
Interview: Catherine Breillat Film Comment
Isabelle Huppert on Embracing the Darkness in Breillat’s ‘Abuse of Weakness,’ Now on Netflix IndieWire
Abuse of Weakness (Abus de faiblesse): Toronto Review The Hollywood Reporter
'Abuse of Weakness' Review: Catherine Breillat Casts Isabelle Huppert in Autobiographical Film Variety
Isabelle Huppert in conversation about character, style and the director of Abuse Of Weakness. Eye For Film
Review: Abuse of Weakness Slant Magazine
NYFF review: A con man's "Abuse of Weakness" CBS News
Abuse of Weakness 2013, directed by Catherine Breillat | Film review Time Out Worldwide
12 Must-See Films and One We Defy You to Sit Through at the SFIFF KQED
Review: ‘Abuse of Weakness’ Features a Stunning Isabelle Huppert IndieWire
Isabelle Huppert, in All Her Glory, at the Metrograph (Published 2016) The New York Times
Sideshow, Janus Take Catherine Breillat’s Cannes Competition Title ‘Last Summer’ for North America The Hollywood Reporter
TIFF Shocker: Isabelle Huppert is "Perverse" Again The Film Experience
Girls on Film: 8 femme-centric movies from the Toronto International Film Festival The Week
Catherine Breillat Retrospective at IFCenter Villa Albertine
Catherine Breillat’s Unsettling Cinema of Desire The New Yorker
The Summer of ‘Last Summer’ Book and Film Globe
Last Summer Is a Marvel of Toxic Lyricism The New Republic
Catherine Breillat Returns In U.S. Trailer for Last Summer IMDb
Interview: Catherine Breillat on the Layers and Transgressions of ‘Last Summer’ Slant Magazine
Isabelle Huppert in conversation with John Waters. Eye For Film
“We Have Regressed Into an Obtuse and Rigid Moral Order”: Catherine Breillat on Last Summer Filmmaker Magazine
Bombast: 2014: The Year We Made Content Film Comment
Availability Matrix
| Platform | US | CA | GB | AU | DE | FR | JP | KR | MX | BR | ES | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
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Apple iTunes | ✔ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ |
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Google Play Movies | ✔ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ |
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Vudu | ✔ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ |
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Netflix | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ |
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Amazon Prime Video | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ |
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Amazon Video | ✔ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ |
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Hulu | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ |
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HBO Now | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ |
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Starz | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ |
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Canal VOD | ✘ | ✘ | ✘ | ✘ | ✘ | ✔ | ✘ | ✘ | ✘ | ✘ | ✘ |
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Orange VOD | ✘ | ✘ | ✘ | ✘ | ✘ | ✔ | ✘ | ✘ | ✘ | ✘ | ✘ |
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YouTube | ✔ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ |
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Universcine | ✘ | ✘ | ✘ | ✘ | ✘ | ✔ | ✘ | ✘ | ✘ | ✘ | ✘ |
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DIRECTV | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ |
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HBO Max | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ |
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Sooner | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ |
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Disney Plus | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ |
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Paramount Plus | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ |
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Cinépolis KLIC | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✘ | ✔ | ✘ | ✘ |
