The Last of the Unjust

6.6
  • Genre:Documentary, History
  • Production:Dor Film
  • Released:2013-11-13
  • IMDB:tt2340784
A place: Theresienstadt. A unique place of propaganda which Adolf Eichmann called the "model ghetto", designed to mislead the world and Jewish people regarding its real nature, to be the last step before the gas chamber. A man: Benjamin Murmelstein, last president of the Theresienstadt Jewish Council, a fallen hero condemned to exile, who was forced to negotiate day after day from 1938 until the end of the war with Eichmann, to whose trial Murmelstein wasn't even called to testify. Even though he was without a doubt the one who knew the Nazi executioner best. More than twenty-five years after Shoah, Claude Lanzmann's new film reveals a little-known yet fundamental aspect of the Holocaust, and sheds light on the origins of the "Final Solution" like never before.
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Latest News

The Last of the Unjust movie review  Roger Ebert

'The Last of the Unjust' probes a historical horror  The Christian Science Monitor

‘Gerron’s Last Film’: Holocaust drama with Josh Gad slated to shoot in Prague  The Prague Reporter

Portrait of a Wily Holocaust Survivor (Published 2014)  The New York Times

The Holocaust Is Present  The New Yorker

For A Rabbi Who Worked With The Nazis, Is Judgment 'Unjust'?  NPR

David Edelstein on ‘Monuments Men’ and ‘The Last of the Unjust’ -- New York Magazine Movie Review - Nymag  New York Magazine

The last Jewish leader of Terezin grapples with the past  The Times of Israel

These Are a Few of My Favorite Things: New York Film Festival I  Filmmaker Magazine

The Unjust: Film Review  The Hollywood Reporter

László Nemes on Auschwitz, language, religion and Son Of Saul.  Eye For Film

The Last Photograph  filmreviewdaily.com

Review: “Operation Finale” and the Popular Understanding of Adolf Eichmann  The New Yorker

Claude Lanzmann: 1925-2018  Roger Ebert

Highlights from the Second Weekend of the New York Film Festival  The New Yorker

My Twenty-Five Best Films of the Century So Far  The New Yorker

What to Stream This Weekend: War Movies for Memorial Day  The New Yorker

Should a Film Try to Depict Slavery?  The New Yorker

» Those Hollywood Dumpuary Blues  Grantland

A Response to “The 50 Best Foreign Language Movies Of the 21st Century So Far”  The New Yorker

A Documentary Set Entirely Within the Capsule of a Cable Car  The New Yorker

Géza Röhrig on the Holocaust and the Oscar nominated Son Of Saul.  Eye For Film

New York Film Festival Is Still Sober, but Hardly Dry (Published 2013)  The New York Times

The Individual Top Tens of the Decade  Roger Ebert

The Individual Top Tens of 2014  Roger Ebert

The Best Movies of 2013  The New Yorker

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