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Latest News
The Day of the Jackal | novel by Forsyth Britannica
Olivia Hussey, star of 1968 film ‘Romeo and Juliet,’ dies at 73 Odessa American
10 Underrated Spy Thrillers From The 1970s You Probably Haven't Heard Of Screen Rant
The Day Of The Jackal season 1: release date, trailer, cast, plot, interviews and everything you need to know What To Watch
Elvis Mitchell: 1984 film ‘Comfort and Joy’ is a Christmas favorite KCRW
The Screen: Neame's 'Odessa File':Thriller About Secret SS Society Opens (Published 1974) The New York Times
The Day of the Jackal: Interview with Executive Producers, Gareth Neame and Nigel Marchant Sky
Years Before Jurassic Park, The Boys from Brazil Presented Cloning as a Terrifying Possibility Syfy
Classic Film Review: The ’70s at their most cynical — “The Parallax View” (1974) turns 50 Movie Nation
The Day of the Jackal is unmissable television Sydney Morning Herald
The Boys from Brazil film-authority.com
70s Rewind: Ronald Neame's THE ODESSA FILE ScreenAnarchy
Frederick Forsyth’s Novel ‘Whispering Wind’ in the Works as Movie Variety
Angelina Jolie's godfather was a movie icon – details HELLO!
‘They Live’ and other conspiracy theory thriller movies with IMDb rating above 7 Lifestyle Asia Hong Kong
Maximilian Schell, Oscar-Winning Actor in ‘Nuremberg,’ Dies at 83 (Published 2014) The New York Times
Nazi Havens in South America Aish
Maximilian Schell: Best Actor Oscar Winner Alt Film Guide
Authentic Immediacy—A Tribute to the Political Fiction of Frederick Forsyth Quillette
Maximilian Schell 1930-2014 CBS News
Maria Schell (Actress): 1950s International Star, Superman Actress Alt Film Guide
Maximilian Schell, Oscar-winning actor, dies at 83 The Washington Post
OHS Broncho Legacy concert aims for sparkle, fun Odessa American
The subterfuge movies that rival Operation Mincemeat The Spectator
A Former Spy Offers His Top 5 Spy Films Hollywood Reporter
Fred Zinnemann’s DAY OF THE JACKAL Available on Blu-ray September 25th From Arrow Video We Are Movie Geeks
The Man in the Glass Booth movie review (1975) Roger Ebert
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