5.8
  • Genre:
  • Production:Elizabeth Films
  • Released:2002-11-06
  • IMDB:tt0284034
A French corporation goes head-to-head with an American web media company for the rights to a 3-D manga pornography studio, resulting in a power struggle that culminates in violence and espionage.
Available on: Stream
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Latest News

In ‘Demonlover,’ Cyber Kicks and Dangerous Video Games (Published 2021)  The New York Times

Celebrating Raw | HeadStuff’s Film Guide to the French New Extremity  HeadStuff

demonlover  Film Comment

[REVIEW] The Unconventional Extremity of ‘Demonlover’ (2002)  Horror Press

DEMONLOVER remains heavy-handed and underdeveloped  Moviejawn

Demonlover – Review  Cinema from the Spectrum

Demonlover movie review & film summary  Roger Ebert

demonlover: five takes  Reverse Shot

S.E.Z. Noir  Read Max

#TBT: Olivier Assayas on Demonlover  Wexner Center for the Arts

The Essential Movie Library #99: Demonlover (2002)  LAmag

This Horrifying 2000s Thriller Is the Definitive Movie About the Internet  Collider

Reviewing Demonlover (2002) in 2024  Honi Soit

Review: demonlover  Slant Magazine

Olivier Assayas  Reverse Shot

Olivier Assayas  Reverse Shot

Sonic Youth meets demonlover  Reverse Shot

Are You Still Watching? Demonlover (2002) and the Spectre of Voyeurism  Bright Lights Film Journal

Demonlover: Neo-Noir Horror That's Still Ahead of its Time, 20 Years Later  MovieWeb

Tallahassee Film Festival launches virtually with 'Demonlover' fever dream | Movie Review  Tallahassee Democrat

How Olivier Assayas’ Unofficial “International Trilogy” Did the Impossible  vice.com

'Demonlover' Restoration Trailer: Oliver Assayas' Paranoid Post-Modern Thriller Returns In A Unrated Director's Cut In February  The Playlist

A Simple Guide to the Complicated Cinema of Olivier Assayas  AnOther Magazine

Boarding Gate — Olivier Assayas  In Review Online

Encore: Demon Lover Diary and Seventeen  Film Comment

Boarding Gate – Review  Cinema from the Spectrum

Demon Lover Diary: Rare cult documentary at Cinefamily this Tuesday  dangerousminds.net

Review: Olivier Assayas’ film “Summer Hours”  ARTS ATL

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