7.287
  • Genre:
  • Production:Les Films du Carrosse
  • Released:1968-09-04
  • IMDB:tt0062695
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
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Latest News

‘The Adventures of Antoine Doinel’: François Truffaut’s Alter-Ego Grows Up  WSJ

The Truffaut-Leaud collaboration at its best in lilting, lovely 'Stolen Kisses'  San Francisco Chronicle

Criterion Reflections – Stolen Kisses (1968) – #186  CriterionCast

Oeuvre: Truffaut: Stolen Kisses  Spectrum Culture

François Truffaut’s 20 best films – ranked  The Guardian

The Screen: Truffaut's Lyrical 'Stolen Kisses' Bows (Published 1969)  The New York Times

Bed and Board movie review & film summary  Roger Ebert

Baisers volés (1968) ⭐ 7.5 | Comédie, Drame, Romantique  IMDb

Jean-Pierre Leaud stars in Truffaut's charming "Stolen Kisses"  San Francisco Chronicle

Photos from the Sets of Breathless, Stolen Kisses, and More  Vanity Fair

Stolen Kisses Review  empireonline.com

Stolen Cinematic Kisses for Santa Barbara  The Santa Barbara Independent

The Best 10 Movies of 1971  Roger Ebert

Stolen kisses and naughty naps: Weegee goes to the movies – in pictures  The Guardian

Alex Ross Perry’s Top 10  The Criterion Collection

L'amour en fuite (1979) ⭐ 7.0 | Comédie, Drame, Romantique  IMDb

'Bed and Board' (1970) is fourth in Antoine Doinel series  San Francisco Chronicle

The 400 Blows movie review & film summary  Roger Ebert

Dartmouth to Digitize Rare ‘Lobby Card’ Collection  Dartmouth

‘Summer of 85’ Review: Denim Embraces and Stolen Kisses (Published 2021)  The New York Times

10 Best Arthouse Movies That Are Also Sequels, Ranked  Collider

Cannes Film Fest Poster 2018: Stolen Kisses In Jean-Luc Godard’s ‘Pierrot Le Fou’  Deadline

Jason Schwartzman: "Bored to Death" is not ironic  Salon.com

Blu-ray Review: ‘Stolen Kisses’ & ‘Bed & Board’  CineVue

Teen Movies Look So Much Different Now That I’m Watching From A Parent’s Perspective  Scary Mommy

Review: Two in the Wave  Slant Magazine

Roman Polanski’s ‘Macbeth,’ Musical ‘Guys and Dolls’ Among Venice’s Classics Picks  The Hollywood Reporter

JEAN-PIERRE LÉAUD: THE 400 BLOWS—Introduction by Laura Truffaut  ScreenAnarchy

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