7.3
  • Genre:
  • Production:Les Films du Carrosse
  • Released:1968-09-04
  • IMDB:tt0062695
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
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Latest News

The Truffaut-Leaud collaboration at its best in lilting, lovely 'Stolen Kisses'  San Francisco Chronicle

‘Leviticus’ Ending, Explained  JustWatch

Oeuvre: Truffaut: Stolen Kisses  Spectrum Culture

Not In The English Language #6. – Stolen Kisses  HeyUGuys

The Screen: Truffaut's Lyrical 'Stolen Kisses' Bows (Published 1969)  The New York Times

François Truffaut’s 20 best films – ranked  The Guardian

Stolen Kisses Review  empireonline.com

Jean-Pierre Leaud stars in Truffaut's charming "Stolen Kisses"  San Francisco Chronicle

Alex Ross Perry’s Top 10  The Criterion Collection

Stolen Cinematic Kisses for Santa Barbara  The Santa Barbara Independent

Stolen Kisses | Audience Reviews  Rotten Tomatoes

The Best 10 Movies of 1971  Roger Ebert

Jason Schwartzman: "Bored to Death" is not ironic  Salon.com

Photos from the Sets of Breathless, Stolen Kisses, and More  Vanity Fair

10 Best Arthouse Movies That Are Also Sequels, Ranked  Collider

Blu-ray Review: ‘Stolen Kisses’ & ‘Bed & Board’  CineVue

Stolen kisses and naughty naps: Weegee goes to the movies – in pictures  The Guardian

'Bed and Board' (1970) is fourth in Antoine Doinel series  San Francisco Chronicle

Dartmouth to Digitize Rare ‘Lobby Card’ Collection  Dartmouth

‘Summer of 85’ Review: Denim Embraces and Stolen Kisses (Published 2021)  The New York Times

Cannes Film Fest Poster 2018: Stolen Kisses In Jean-Luc Godard’s ‘Pierrot Le Fou’  Deadline

The Small Winner  The New Yorker

Roman Polanski’s ‘Macbeth,’ Musical ‘Guys and Dolls’ Among Venice’s Classics Picks  The Hollywood Reporter

How Did I Get Here?  The New Yorker

5 PHENOMENAL FRENCH LANGUAGE FILMS  Keith & the Movies

Teen Movies Look So Much Different Now That I’m Watching From A Parent’s Perspective  Scary Mommy

Such a Gorgeous Kid Like Me movie review  Roger Ebert

‘Delphine and Carole’ (‘Delphine et Carole, insoumuses’): Film Review | Berlin 2019  The Hollywood Reporter

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