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Backrooms review – Kane Parsons’ icily disturbing horror rewrites the genre rulebook | Movies  The Guardian

Pressure review – Andrew Scott and Brendan Fraser can’t save lower-tier D-day drama  The Guardian

Scary Movie review – spoof comedy returns but maybe it should have stayed in the 2000s  The Guardian

Eagles of the Republic review – seductive thriller of corruption and compromise in post-Mubarak Egypt  The Guardian

Mortal Kombat II review – junky game-to-movie sequel offers more of the same  The Guardian

‘As reassuring as a warm hug’: why Donnie Darko is my feelgood movie  The Guardian

All of a Sudden review – care home drama is tender, meditative and a little too precious for its own good  The Guardian

‘It’s a distraction-free zone’: Gen Z on why they love going to the movies  The Guardian

Disclosure Day review – close encounters of a deferred kind in Spielberg’s conspiracy spectacular  The Guardian

‘Screaming girls chased me down the street’: how we made Strictly Ballroom  The Guardian

Final Fantasy: The Spirits Within was a flop – but 25 years later, it is an exquisite digital relic  The Guardian

‘It soothes me’: why The Blair Witch Project is my feelgood movie  The Guardian

Signal One review – Dennis Quaid and David Thewlis ballast high-concept, low-risk first contact yarn  The Guardian

The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’  The Guardian

Pink Narcissus review – garish colour and dreamlike images in a homoerotic vision of 60s New York  The Guardian

‘My life is about beauty’: Julie Newmar at 92 on shocking the world as Catwoman – and caring for her son  The Guardian

‘Lets me believe in myself’: why Billy Elliot is my feelgood movie  The Guardian

UK watchdog to look at Paramount’s $110bn takeover of Warner Bros Discovery  The Guardian

Time and Water review – Iceland’s doomed glacier tells its own story of climate disaster  The Guardian

Idris Elba says audiences would never accept a black actor playing James Bond: ‘That’s not what they like in their culture’  The Guardian

‘I’d rather read a book’: Tarantino criticises ‘flavourless sausage factory’ Hollywood  The Guardian

A Murder Between Friends review – Joan Collins’s detective diva sparkles in trashy whodunnit  The Guardian

How much does Sean Penn hate selfies? Enough to invoke the Holocaust  The Guardian

Detective Conan: Fallen Angel of the Highway review – motorbike whodunnit cranked up to top speed  The Guardian

My Memory Is Full of Ghosts review – deeply moving visual hymn for the bombed-out Syrian city of Homs  The Guardian

‘An antidote to all things stressful’: why Stardust is my feelgood movie  The Guardian

‘A masterclass in lesbian eroticism’: why Bound is my feelgood movie  The Guardian

Wim Wenders withdraws 1975 film featuring 13-year-old Nastassja Kinski topless  The Guardian