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7 Great Hal Ashby Films That Shaped New Hollywood  No Film School

Bud Cort, Who Starred in 1971’s ‘Harold and Maude,’ Dies at 77  The New York Times

See the 'Mortal Kombat II' Cast Side-by-Side with the Original 1995 Stars  People.com

Why Tom Cruise Was Kicked Off Of The Original Mortal Kombat's Set  SlashFilm

HBO Max's Bold Fantasy Is the Gold Standard Every Other Video Game Adaptation Should Envy  Collider

This Cult Classic '70s Romance Is the Perfect Valentine's Day Movie This Year  MovieWeb

The “filthy insults” that ruined Peter Sellers’ 1980 farewell to cinema: “We were at loggerheads”  Far Out Magazine

Being There: Peter Sellers Shines in Hal Ashby’s Brilliant 1979 Satire  Solzy at the Movies

‘Harold And Maude’: How Yusuf/Cat Stevens Soundtracked A Cult Classic  uDiscoverMusic

Hal Ashby Movies: All 12 Films Ranked Worst to Best  Gold Derby

Review: Ashby  StageBuddy.com

'Ashby': EW review  Entertainment Weekly

Meet Aaron Ashby  Voyage LA Magazine

'8 Million Ways to Die' is an Underrated Crime Thriller Turning 40 in 2026  MovieWeb

'Ashby' Review: Mickey Rourke Stars in Genre Jumble  Variety

Review: ‘Ashby’ Pairs a Retired C.I.A. Killer With a High School Nerd (Published 2015)  The New York Times

No, But I Read the Book: ‘Harold and Maude’  The Reveal | Scott Tobias

The 10 Greatest Directors Who Never Won the Best Director Oscar, Ranked (These Are All Legendary Filmmakers)  MovieWeb

Being There: American Cipher  The Criterion Collection

‘Hal’ Review: The Hippie Who Disrupted Hollywood  Cinemacy

10 Best Hal Ashby Movies, Ranked  Collider

“Hal” of Mirrors: Amy Scott On Her Hal Ashby Doc And Chicago As “Finish Your Shit” School  Newcity Film

The Films of Hal Ashby, Ranked  Paste Magazine

The Many Faces of Hal Ashby: A Conversation with Amy Scott  The Criterion Collection

‘Ashby’: Tribeca Review  The Hollywood Reporter

Hal Ashby’s American Pictures: The Realistic Magic of the 1970s’ Finest Director  The Ringer

Review: Ashby  Slant Magazine

Hal Ashby's The Landlord: the classic film evicted from cinema history  The Guardian