6.8
  • Genre:
  • Production:Paradise Films
  • Released:2016-02-24
  • IMDB:tt4881016
Documentary about humans dealing with changing technology, the basic concepts of communication, cinema, and Akerman's mother, seen in her Brussels apartment.
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Latest News

NYFF 2015: The Late Chantal Akerman’s No Home Movie  Brooklyn Magazine

How Sigrid Nunez Became the Hottest Author of the Fall Movie Season  TIME

Kathy Halbreich  Artforum

No Home Movie  Rotten Tomatoes

No Home Movie review – infinitely careful, painfully poignant documentary  The Guardian

J. Hoberman: Notes on Chantal Akerman’s ‘No Home Movie’  Tablet Magazine

Radical domesticity: The beginner’s guide to art-house legend Chantal Akerman  Document Journal

'No Home Movie' Review: Chantal Akerman Pays Tribute to Her Mother  Variety

London's Cinema Museum Wants Your Home Movies  Londonist

How To Watch Spider-Man Movies In Order (Chronologically & By Release Date)  Screen Rant

A Great Director's Last Look At Her Mother And Herself  NPR

No Home Movie review  Little White Lies

The 52 Best Documentaries of the 21st Century  IndieWire

There Was So Much More to Chantal Akerman  Brooklyn Magazine

Chantal Akerman, Resolutely Upending the Ordinary (Published 2015)  The New York Times

Best of the Decade #2: No Home Movie  Features - Reverse Shot

News from Home  Features - Reverse Shot

‘No Home Movie’: Love between filmmaker, mother shines through sadness  The Seattle Times

Our Lives With (and Without) Chantal Akerman  Forward

Review: No Home Movie  slantmagazine

No Home Movie and I Don’t Belong Anywhere give different glimpses of the late Chantal Akerman  The A.V. Club

Chantal Akerman Takes Emotional Path in Film About 'Maman' (Published 2015)  The New York Times

Chantal Akerman, 1950–2015  The Criterion Collection

‘No Home Movie’: Locarno Review  Hollywood Reporter

I DON’T BELONG ANYWHERE: THE CINEMA OF CHANTAL AKERMAN  filmforum.org

All 8 Spider-Man Movie Returning to Theaters Starting Next Month  IGN

Nicole Brenez  Artforum

Remembering Chantal Akerman: A Dry and Moving Intensity  The Criterion Collection

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