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Latest News
Frameline presents ‘High Art’ at SFMOMA SF Chronicle Datebook
Frame Rating: “The Room” is high art (and I’m not kidding) The Student Life
10 Action Movies That Are Also Considered High Art Screen Rant
One of the Year’s Buzziest Oscar Movies Is Now Streaming. I Have Been Fed an Unholy Lie. Slate
NOC Review: ‘Joker: Folie à Deux’ is a Flawed Work of Fine Art The Nerds of Color
A landmark of queer cinema, ‘High Art’ has never looked better SF Chronicle Datebook
L.A.’s Top Museums Turn Sci-Fi Into High Art Hollywood Reporter
There’s Finally a Brilliant ‘Transformers’ Movie. Seriously! The Daily Beast
A Look Back at "High Art" and its Legacy Ms. Magazine
UCLA Film & Television Archive presents fall 2024 lineup of cinematic and TV treasures UCLA Newsroom
The Best Movies and TV Shows Coming to Disney+, Amazon, Apple TV+ and More in December The New York Times
The Brutalist and the Hidden Work of Architecture The Nation
‘Arcane: League of Legends’ Makes Art Out of Chaos Rolling Stone
High Art Rotten Tomatoes
Your Favorite Gay Movies Are Available To Watch Because of Film Archivists www.autostraddle.com
On "High Art" and Being Young and Gay www.autostraddle.com
‘The Girl with the Dragon Tattoo’: the death of high art Far Out Magazine
Lisa Cholodenko’s “High Art” Holds Up (and I'm Still Not Over It) CherryPicks
Crimes Of The Future (2022): High Art, Evolution, and Environmentalism substack.com
HIGH ART AND PECKER Artforum
Christopher Durang, Playwright Who Mixed High Art and Low Humor, Dies at 75 The New York Times
1998: Patricia Clarkson in "High Art" The Film Experience
10 lesbian-themed movies every gay guy should see Pride.com
‘If God is in everything, that includes toilets’: Kōji Yakusho on cleaning high-art loos in Wim Wenders’ Perfect Days The Guardian
'A Wounded Fawn': Cabin in the woods horror meets high art AIPT
Are Movie Props Fine Art? For the Collectors in ‘Mad Props,’ Yes. IndieWire
Movies that Obliterate the Line Between High Art and Schlock MovieWeb
Lisa Cholodenko’s 1998 High Art is an eerily precise portrayal of stone-broke bohemian city living The New Statesman
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