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  • Genre:
  • Production:Passport International Entertainment
  • Released:2004-10-05
  • IMDB:tt0438055
"Getting The Knack" chronicles the controversial career of power pop stars, The Knack. Viewers will witness a compelling tale of instant stardom and spectacular failure, a story marked by heroin addiction, alcohol abuse, vicious inner-band feuding and massive critical backlash. "Getting The Knack" explores the group's career via candid interviews with the original band, producers Mike Chapman and Jack Douglas, Sharona Alperin, (the inspiration behind their biggest hit), Steve Jones of The Sex Pistols, Rick Springfield, Elliot Easton of The Cars, Devo's Bob Mothersbaugh, comedian Weird Al Yankovic and many more. Narrated by Cherie Currie of The Runaways, "Getting the Knack" is augmented by scores of rare photos and previously unseen archival footage providing a no-holds barred look at the rise and fall and ultimate resurrection of the group.
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Review | Trump biopic ‘The Apprentice’ avoids taking sides. Good luck with that.  The Washington Post

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A HARD DAY’S NIGHT and THE KNACK… AND HOW TO GET IT  filmforum.org

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REVIEW: "THE KNACK...AND HOW TO GET IT" (1965) STARRING MICHAEL CRAWFORD, RAY BROOKS AND RITA TUSHINGHAM; BLU-RAY SPECIAL EDITION  Cinema Retro

The Knack of the Puppet People: A Review of Downsizing  Locus Online

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The Number Ones: The Knack’s “My Sharona”  Stereogum

The Knack’s bassist Prescott Niles discusses their new Record Store Day double live vinyl album  Goldmine Magazine

'My Sharona': A Daughter Reflects on the Knack Hit as it Turns 40  Variety

How Daniel Radcliffe Gets ‘Weird’ in ‘The Al Yankovic Story’ (Published 2022)  The New York Times

‘My Sharona’: Finding The Knack For A Record-Breaking Debut Single  uDiscover Music

Flashback: The ‘Reality Bites’ Gang Lose It to ‘My Sharona’ in a Gas Station  Rolling Stone

Keep Moving!: The Films of Richard Lester.  Roger Ebert

The Knack’s Prescott Niles looks back on 5 of his best albums  Guitar World

Jane Birkin remembered by Charlotte Rampling  The Guardian

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