6.2
  • Genre:
  • Production:RAI
  • Released:1999-09-06
  • IMDB:tt0210160
A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.
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Latest News

Rocco and His Brothers Review: Spectacular Italian Neorealism  Loud And Clear Reviews

‘L’Innocente’ Blu-Ray Review – Luchino Visconti Says Farewell Through Exploring Fragile Male Egos  Geek Vibes Nation

10 of Alain Delon’s Greatest Films, Revisited  Vogue

‘Ciao Marcello’ Offers an Intimate Look at Marcello Mastroianni  Hollywood Reporter

Alain Delon at His Very Best: Ravishing, Yes, but Also Destabilizing  The New York Times

The classic movie Martin Scorsese calls a “masterpiece”  Far Out Magazine

Criterion Reflections – Episode 142 – Luchino Visconti’s Ludwig  CriterionCast.com

The Essentials: The 8 Best Luchino Visconti Films  IndieWire

Film Review: At Harvard Film Archive --"The Complete Luchino Visconti"  artsfuse.org

The Royal Treatment  Artforum

HELMUT BERGER AND LUCHINO VISCONTI – A LOVE STORY  Cinema Austriaco

The Damned movie review & film summary (1970)  Roger Ebert

Endless Night: Luchino Visconti’s Le notti bianche  Bright Lights Film Journal

The Other End of the Ideological Spectrum of Suffering in ‘La Terra Trema’  PopMatters

CANNES CLASSICS – Conversation Piece: Luchino Visconti focuses on family  Festival de Cannes

Senso and Sensibility  The Criterion Collection

How Luchino Visconti Made History Sing (Published 2018)  The New York Times

Scott Reviews Luchino Visconti’s Conversation Piece [Masters of Cinema Blu-ray Review]  CriterionCast.com

The Stranger movie review & film summary (1968)  Roger Ebert

I am Love and The Leopard: Italian cinema new and old  WSWS

Senso - Movie Review  Alternate Ending

The Leopard (1963) ⭐ 7.9 | Drama, History  imdb

A New Film Asks: What Happens to the Very Young, Very Beautiful Star When the Movie Is Over?  Vogue

Björn Andrésen on Luciano Visconti's 'Death in Venice'  Variety

San Francisco International Film Festival 2010 Part 6: Luchino Visconti’s Senso—drama and history  WSWS

‘Death in Venice screwed up my life’ – the tragic story of Visconti’s ‘beautiful boy’  The Guardian

Visconti’s Operatic Autopsy of German History, Restored Anew (Published 2021)  The New York Times

'The Most Beautiful Boy in the World': The most confused documentary ever  Observer Online

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