7
  • Genre:
  • Production:The Metropolitan Opera
  • Released:2015-04-23
  • IMDB:tt4707518
Director David McVicar’s new production brings opera’s favorite double bill to new life, setting the two operas in the same Sicilian setting, separated by two generations. Marcelo Álvarez takes on the rare feat of singing both leading tenor roles. In Cavalleria, he is Turiddu, the young man who abandons Santuzza (Eva-Maria Westbroek) in his pursuit of the married Lola (Ginger Costa-Jackson)—and ends up being killed in a duel with her husband, Alfio (George Gagnidze). In Pagliacci, Álvarez is Canio, the leader of a traveling vaudeville troupe. Patricia Racette sings Nedda, his unfaithful young wife, whose plans to run away with her lover are foiled by her spurned admirer Tonio (George Gagnidze)—with equally tragic consequences. Met Principal Conductor Fabio Luisi is on the podium.
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Latest News

Review: "Cavalleria Rusticana/Pagliacci" at the Metropolitan Opera  stagebuddy.com

Review: Met Opera's New 'Cav/Pag' Features Double Dose of Love and Death  WQXR

Don't rain on my opera: Seoul to stage ‘The Magic Flute’ under the stars  The Korea Herald

Metropolitan Opera 2017-18 Review - Cavalleria Rusticana / Pagliacci: Roberto Alagna Triumphs With Two Incredible Divas  OperaWire

Eva-Maria Westbroek  Staatsoper Wien

Alagna and Kurzak make Met’s devastating “Pagliacci” a night to remember  New York Classical Review

Cavalleria Rusticana & Pagliacci  Illinois Public Media

Metropolitan Opera Live in HD: Patricia Racette as Nedda  Ideastream

GP at the Met: Cavalleria Rusticana and Pagliacci | Photo Gallery: Cavalleria Rusticana | Great Performances  PBS

Cavalleria Rusticana & Pagliacci  New York Latin Culture Magazine®

Cavalleria Rusticana/Pagliacci  Interlochen Public Radio

Opera Cheat Sheet: Cavalleria Rusticana And Pagliacci (revised)  Houston Public Media

Weekly Guide: March 8–14  Metropolitan Opera

Review: Met Opera’s Dreary January Is Brightened by ‘Cav/Pag’ (Published 2018)  The New York Times

Met’s new verismo double bill offers a static “Cav” and memorable “Pag”  New York Classical Review

Weekly Guide: February 15–21  Metropolitan Opera

A New ‘Cav/Pag’ at the Met Is Opera Heavy on the Red Sauce (Published 2015)  The New York Times

Grace Bumbry, 1937–2023  Metropolitan Opera

A great night for tenors in Met’s uneven “Cav and Pag”  New York Classical Review

Met Opera: Lady Macbeth of Mtsensk  capradio.org

Love and betrayal in ‘Cavalleria’ and ‘Pagliacci’ in Breckenridge  SummitDaily.com

Marcelo Álvarez Is Twice Unhappy in ‘Cavalleria’ and ‘Pagliacci’ (Published 2015)  The New York Times

GREAT PERFORMANCES AT THE MET: Cavalleria Rusticana/Pagliacci  KPBS

Cavalleria Rusticana / Pagliacci Review: Drunk and Deadly  WSJ

In Opera’s Famous Pair of One-Acts, Tenor Doubles His Workload (Published 2007)  The New York Times

Elina Garanca's makes role debut in Mascagni's 'Cavalleria Rusticana' at the Paris National Opera  OperaWire

Alfred Walker  The Kennedy Center

Review: In Pairing of ‘Pagliacci’ and ‘Cavalleria Rusticana,’ One Rises Above the Other (Published 2016)  The New York Times

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