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A slow fracture: JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES at 50  Moviejawn

10 Movies That Audiences Hate but Cinephiles Absolutely Love  Collider

Chantal Akerman | Biography, Mother, Films, Death, & Facts  Britannica

Interview: Simon Poulter & Sophie Mellor on “3 Films That Have Impacted Your Adult Life”  IMDb

Sherlock Jr. + One Week  BAM | Brooklyn Academy of Music

Is ‘Jeanne Dielman’ the greatest film of all time? Plus more to see in L.A. this week  Los Angeles Times

The 'Greatest Movie Ever Made' Just Turned 50 — And Almost Nothing Happens In It  MovieWeb

The Moviegoer: Bland ambition  Chicago Reader

Chantal Akerman: The Long View  MoMA

One of Chantal Akerman’s Best Films Is in Legal Limbo  The New Yorker

Daniella Shreir · My Mother’s Prison: Chantal Akerman’s Predicament  London Review of Books

‘Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles’: A Guide (Published 2022)  The New York Times

1975 Was the Best Year in '70s Cinema, and These 9 Movies Prove It  Collider

Robert Wilson and the Civil Wars  BAM | Brooklyn Academy of Music

The Best Movies of All Time  Britannica

10 Movies That Feel Longer Than They Actually Are  Collider

If You Have To Watch Only 5 Movies From the '70s, Make Sure It's These Masterpieces  Collider

Review: "News From Home" Is A Slow Cinema Snapshot of 1970’s New York  Cinema Escapist

Remembrance of ‘Jeanne Dielman’ Past  Book and Film Globe

'The Testament of Ann Lee': What in the world went wrong?  Far Out Magazine

10 Groundbreaking Movies That Revolutionized Female Representation  Collider

Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles review – sex, secrets and the unbearable silence of loneliness  The Guardian

‘Contact Lens’ Review: An Underwhelming Tribute to ‘Jeanne Dielman’ [Fantasia 2025]  Dread Central

Five female icons of the Belgian art world: Chantal Akerman  belganewsagency.eu

Can’t stand subtitles? These 11 international masterpieces will change your mind | Thoughtful Films For Nights In  The Guardian

100 Best Movies of the Past 10 Decades: Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975)  Time Magazine

The Revelatory Tedium of the New “Greatest Film of All Time”  The New Yorker

Why you’re wrong about ‘women’s cinema’  Far Out Magazine