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Mizoguchi's women  The Film Experience

Sansho the Bailiff: The Lessons of Sansho  The Criterion Collection

UGETSU 4K Review: Kenji Mizoguchi's Masterpiece  ScreenAnarchy

Deep Focus: The Story of the Last Chrysanthemum  Film Comment

The Beauty in Her Sacrifice  The New York Review of Books

Kaneto Shindo obituary  The Guardian

The Story of the Late Chrysanthemums  Alternate Ending - Movie Reviews

The Long View  Artforum

Kenji Mizoguchi’s Ugetsu  MoMA

DVD Review: Kenji Mizoguchi’s Ugetsu on the Criterion Collection  Slant Magazine

A life of epic suffering movie review  Roger Ebert

Rediscovering Director Kinuyo Tanaka  The Criterion Collection

A Journey Through the Eclipse Series: Kenji Mizoguchi’s Women of the Night  CriterionCast

Married to Cinema: The Films of Kinuyo Tanaka  Film Comment

Ugetsu (1953)  Alternate Ending - Movie Reviews

The Life of Oharu: Not Reconciled  The Criterion Collection

A Story from Chikamatsu: From a Distance  The Criterion Collection

Kuroneko: The Mark of the Cat  The Criterion Collection

#75 (tie): Sansho the Bailiff: The Reveal discusses all 100 of Sight & Sound’s Greatest Films of All Time  The Reveal | Scott Tobias

Ari Aster’s Favorite Movies: 58 Films the Director Wants You to See  IndieWire

Where to begin with Kaneto Shindo  BFI

Games of Vision in Street of Shame  The Criterion Collection

Kaneto Shindo, Wide-Ranging Filmmaker, Dies at 100 (Published 2012)  The New York Times

10 Directors Who Are Masters of the Long Take  MovieWeb

Blu-ray Review: Kenji Mizoguchi’s ‘Ugetsu’ on the Criterion Collection  Slant Magazine

Review: Restored ‘The Story of the Last Chrysanthemum’ Reveals Director’s Artistry and Empathy (Published 2015)  The New York Times

Godzilla’s Conscience: The Monstrous Humanism of Ishiro Honda  The Criterion Collection

Ari Aster’s Top 10  The Criterion Collection