Latest News

Eiji Uchida, Adam Torel and actors Sairi Ito and Antony interview: Love and Other Cults  easternKicks.com

These Are the 18 Best Cult Documentaries and Docuseries Available to Stream Now  Parade

Love and Other Cults Review  Asian Movie Pulse

Love and Other Cults | Eiji Uchida  In Review Online

The Streaming Void | Judy Berman  The Baffler

Elif Batuman on the Cult of Family in Get Out  Literary Hub

Seekers of Infinite Love: Hannah Einbinder and Justin Theroux Talk Cults and Uncomfortable Touching  Den of Geek

Weekend Roundtable: Cult Movies That Actually Suck  High Def Digest

Leslye Headland to Adapt 'Cult of Love' for Film, Exit 'Evelyn Hugo'  Variety

The Summoned Is Blandly Decent  Horror Obsessive

Cult of Love review – Christmas descends into chaos in smart Broadway play  The Guardian

Share Your Love: Author Danny Peary on "Cult Movies"  Roger Ebert

12 Documentaries to Stream About Cults and Cult-Like Figures  Netflix

Exclusive: Sono! Sabu! Uchida! Animerama! Third Window Films 2018 Slate Looks Amazing!  ScreenAnarchy

My Own Private Idaho: The cult 90s film that blazed a trail  BBC

Japanese Disaster Road Movie ‘Survival Family’ to Open Far East Film Festival  The Hollywood Reporter

Marshy's Favourite Asian Movies of 2017 Part 1  ScreenAnarchy

LOVE EXPOSURE: Another Take  ScreenAnarchy

Movie review: Qualia  easternKicks.com

Review: THE OTHER LAMB is a Haunting Exploration of Adolescence  Daily Dead

The world of cult films: 'Labyrinth'  The State Press

History of film - Youth Cult, 1960s Trends  Britannica

‘Night Flower’ review: A Japanese woman is pushed to the limit in Eiji Uchida’s gritty Tokyo drama  Screen Daily

Dancing for the Devil Steps Into the Story of the 7M ‘TikTok Cult’  Netflix

Synanon and Love Has Won, Two Cults With New Docs (Published 2023)  The New York Times

MRBlog: Christopher B. Hays on Interstellar  The Marginalia Review of Books

‘Love Has Won’: The Deadly Cult Led by the Spirit of ‘Robin Williams’  Rolling Stone

Moving from Japanese Film Distribution to Production: An Interview with Third Window Films’ Adam Torel  Bright Lights Film Journal