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  • Genre:
  • Production:The Metropolitan Opera
  • Released:2016-12-10
  • IMDB:tt6505058
Robert Lepage’s dreamlike production, with its thousands of twinkling LED lights stretching across the stage to represent the sea, encapsulates the mystic feeling of L’Amour de Loin, Saariaho’s haunting opera of distant love. Eric Owens is Jaufré Rudel, a troubadour in 12th century France who has become tired of his hedonistic life and longs for an idealized love. Enter the Pilgrim (Tamara Mumford) who tells him his perfect love does, in fact, exist, far across the sea. She is Clémence, Countess of Tripoli (Susanna Phillips). The magic of the characters’ inner lives as they explore the meaning of love, longing, life, and death is heightened by Saariaho’s hypnotic and bewitching score, conducted by Susanna Mälkki.
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Latest News

L’Amour de Loin  4Columns

Opera Streams: Weekly Guide  Metropolitan Opera

Love for ‘L’amour de loin’  The Michigan Daily

So Far! So Good! L’Amour de loin Comes to the Met  maScena

The Met Presents “L’Amour de Loin”  chattanoogapulse.com

After 113 Years: Have We Come a Long Way?  Hyperallergic

Saariaho’s ‘L’Amour’ first work by woman at Met since 1903  The Seattle Times

Guide to Met Opera HD broadcasts at local theaters  Time Out Worldwide

Met stages female composer's opera 'L'Amour de Loin'  Savannah Morning News

The Troubadour and the Lady  The New Yorker

Columbia University Maison Française, composer Jean-Baptiste Barrière honor contemporary composer Kaija Saariaho  Columbia Daily Spectator

Parlando explores musical melodrama in winningly eclectic fashion  New York Classical Review

Your Guide to a Met Opera Milestone (Published 2016)  The New York Times

Met Premiere: L’Amour de Loin by Kaija Saariaho and Amin Maalouf  maScena

With Women in Command, the Met Opera Addresses a Gender Gap (Published 2016)  The New York Times

‘L’Amour de Loin’  The New York Times

A Reigning Opera Composer Writes of Trauma and ‘Innocence’ (Published 2021)  The New York Times

With 28,000 LEDs, It’s Lights! Lights! Lights! Action! (Published 2016)  The New York Times

Amin Maalouf: Up-Close with the Man from “Afar”  maScena

A Scintillating Opera Is the Met’s First by a Female Composer in 113 Years  Hyperallergic

Ethel M. Smyth, Opera Composer, Met a Chorus of Critical Disdain in 1903 (Published 2016)  The New York Times

In Just Over 100 Years, The Met Has Only Staged Two Operas By Women  HuffPost

After 100 Years in Waiting, Grand Opera Shatters the Gender Glass Ceiling  out.com

Opera singer Gerald Finley: on target with Guillaume Tell  The Guardian

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