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Latest News
Opera Streams: Weekly Guide Metropolitan Opera
So Far! So Good! L’Amour de loin Comes to the Met maScena
Opera Review: Kaija Saariaho’s L’amour de loin Is Iridescently Beautiful Vulture
After 113 Years: Have We Come a Long Way? Hyperallergic
“A contemporary horror, depicted in opera,” by Jay Nordlinger The New Criterion
Columbia University Maison Française, composer Jean-Baptiste Barrière honor contemporary composer Kaija Saariaho Columbia Daily Spectator
It's News to Me San Francisco Classical Voice
Parlando explores musical melodrama in winningly eclectic fashion New York Classical Review
Jeanine Tesori’s new opera ‘Grounded’ is a call to moral accountability People's World
Guide to Met Opera HD broadcasts at local theaters Time Out Worldwide
Saariaho’s ‘L’Amour’ first work by woman at Met since 1903 The Seattle Times
Here's Why Broadway Audiences Should Head Uptown for the Metropolitan Opera's New Season Broadway Shows
Met Premiere: L’Amour de Loin by Kaija Saariaho and Amin Maalouf maScena
The Best 21st-Century Operas, According to Our Readers San Francisco Classical Voice
‘L’Amour de Loin’ The New York Times
Amin Maalouf: Up-Close with the Man from “Afar” maScena
With Women in Command, the Met Opera Addresses a Gender Gap (Published 2016) The New York Times
With 28,000 LEDs, It’s Lights! Lights! Lights! Action! (Published 2016) The New York Times
Metropolitan Opera Live in HD Preview 2016-17- Plácido Domingo's Last Stand As 'Nabucco' OperaWire
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