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  • Genre:
  • Production:The Metropolitan Opera
  • Released:2016-12-10
  • IMDB:tt6505058
Robert Lepage’s dreamlike production, with its thousands of twinkling LED lights stretching across the stage to represent the sea, encapsulates the mystic feeling of L’Amour de Loin, Saariaho’s haunting opera of distant love. Eric Owens is Jaufré Rudel, a troubadour in 12th century France who has become tired of his hedonistic life and longs for an idealized love. Enter the Pilgrim (Tamara Mumford) who tells him his perfect love does, in fact, exist, far across the sea. She is Clémence, Countess of Tripoli (Susanna Phillips). The magic of the characters’ inner lives as they explore the meaning of love, longing, life, and death is heightened by Saariaho’s hypnotic and bewitching score, conducted by Susanna Mälkki.
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Latest News

Opera Streams: Weekly Guide  Metropolitan Opera

So Far! So Good! L’Amour de loin Comes to the Met  maScena

Opera Review: Kaija Saariaho’s L’amour de loin Is Iridescently Beautiful  Vulture

After 113 Years: Have We Come a Long Way?  Hyperallergic

“A contemporary horror, depicted in opera,” by Jay Nordlinger  The New Criterion

Columbia University Maison Française, composer Jean-Baptiste Barrière honor contemporary composer Kaija Saariaho  Columbia Daily Spectator

It's News to Me  San Francisco Classical Voice

Parlando explores musical melodrama in winningly eclectic fashion  New York Classical Review

Jeanine Tesori’s new opera ‘Grounded’ is a call to moral accountability  People's World

Guide to Met Opera HD broadcasts at local theaters  Time Out Worldwide

Saariaho’s ‘L’Amour’ first work by woman at Met since 1903  The Seattle Times

Here's Why Broadway Audiences Should Head Uptown for the Metropolitan Opera's New Season  Broadway Shows

Met Premiere: L’Amour de Loin by Kaija Saariaho and Amin Maalouf  maScena

The Best 21st-Century Operas, According to Our Readers  San Francisco Classical Voice

‘L’Amour de Loin’  The New York Times

Amin Maalouf: Up-Close with the Man from “Afar”  maScena

With Women in Command, the Met Opera Addresses a Gender Gap (Published 2016)  The New York Times

With 28,000 LEDs, It’s Lights! Lights! Lights! Action! (Published 2016)  The New York Times

Metropolitan Opera Live in HD Preview 2016-17- Plácido Domingo's Last Stand As 'Nabucco'  OperaWire

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