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Latest News
Review: Diplomacy goes primal in the satiric ‘Rumours,’ set in a political wilderness Los Angeles Times
The Green Fog (2017) Alternate Ending
‘Rumours’: Cannes Review Screen International
Review: ‘The Green Fog,’ a Salute to Hitchcock’s San Francisco (Published 2018) The New York Times
'Rumours' - Cate Blanchett & Guy Maddin Interview Cannes Deadline
'The Green Fog' Review: A Heartfelt, Hitchcockian Ode to San Fran Variety
Guy Maddin on Reinventing ‘Vertigo’ with ‘The Green Fog,’ Male Gaze, and the Bressonian Qualities of Chuck Norris The Film Stage
Guy Maddin on skew-whiff Vertigo remake The Green Fog The Skinny
‘The Green Fog’: Film Review Hollywood Reporter
Cate Blanchett Is a Completely Inept World Leader in New Red Band 'Rumours' Trailer Collider
The one movie Cate Blanchett called "untrundownable" Far Out Magazine
From Oscar Wilde to Rock Hudson, 'The Green Fog' Forecasts Gay History Out Magazine
Connected: The Owl’s Legacy/The Green Fog Features - Reverse Shot
Review: Guy Maddin’s ‘The Green Fog’ is an ingenious found-footage homage to ‘Vertigo’ Los Angeles Times
Netflix Sets Second Big & Loud Film Series At NYC’s Paris Theater Deadline
HKIFF Hidden Gem: ‘Green Fog’ Re-creates Hitchcock’s ‘Vertigo’ With Found Footage Hollywood Reporter
Ari Aster Calls Cate Blanchett Cannes Comedy 'Rumours' "Hilarious" Deadline
Cate Blanchett reveals 'Rumours' is named after Fleetwood Mac album NewsBytes
Film Commentary: The Heights and Depths, the Rise and Fall, of Hitchcock’s "Vertigo" artsfuse.org
With The Green Fog, Guy Maddin delivers an experimental feature that’s pure entertainment Chicago Reader
'The Green Fog': Berlin Review Screen International
Filmmakers Guy Maddin, Evan Johnson & Galen Johnson Reveal Inspiration Behind Rumours Screen Rant
Guy Maddin reimagines ‘Vertigo’ in ‘The Green Fog’ The Boston Globe
John Waters Artforum
Guy Maddin Had to Avoid a “‘Spinal Tap’ Moment" on ‘Rumours’ Collider
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