7.7
  • Genre:
  • Production:The Metropolitan Opera
  • Released:2017-11-18
  • IMDB:tt6889834
After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.
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Latest News

Adès’ “Exterminating Angel” proves spellbinding in Met’s American premiere  New York Classical Review

Tempest in a Teaspoon – Thomas Adès Opera of Buñuel’s The Exterminating Angel  Bright Lights Film Journal

GP at the Met: The Exterminating Angel ~ About the Opera | Great Performances  PBS

The Opera to See This Weekend Before It’s Gone: “The Exterminating Angel”  Vogue

‘The Exterminating Angel’ at the Met  Tablet Magazine

An Explosive Opera of “The Exterminating Angel”  The New Yorker

Metropolitan Opera 2017-18 Review - The Exterminating Angel: Thomas Adès Opera May Prove Polarizing Emotionally  OperaWire

Thomas Adès's 'Exterminating Angel' Is This Week's Metropolitan Opera Broadcast  WQXR

Buñuel's 'Exterminating Angel' Gets An Off-Kilter Screen-To-Stage Adaptation  Delaware Public Media

‘The Exterminating Angel’ Brings Together Opera and the Movies (Published 2017)  The New York Times

Adès' riveting The Exterminating Angel debuts at the Metropolitan Opera  Bachtrack

‘The Exterminating Angel’ Review: Guess What’s Coming to Dinner  WSJ

Audrey Luna in The Exterminating Angel: The highest note in New York  BBC

Composer Thomas Adès Discusses Surreal Influences for The Exterminating Angel  PBS

The Met’s Dinner That Never Ends  The New Yorker

Your Guide to the Met Opera’s ‘Exterminating Angel’ (Published 2017)  The New York Times

Hear the Surreal Instruments of the Met’s New Opera (Published 2017)  The New York Times

At the Met Opera, a Note So High, It’s Never Been Sung Before (Published 2017)  The New York Times

​Five Films That Share Themes with 'The Exterminating Angel'  Exclaim!

Highlights From the Met Opera’s 2017-18 Season (Published 2017)  The New York Times

INTERVIEW | Tenor Frédéric Antoun On The Dinner Party From Hell At The Met  ludwig-van.com

Hear the Highest Note Ever Sung at the Metropolitan Opera  HowStuffWorks

Thomas Adès Takes a Step Toward the Classical Music Canon (Published 2024)  The New York Times

‘Colette’ Opens Door to Film Scoring for Esteemed U.K. Classical Composer Adès  Variety

Sublime Leontyne: The 8 Best Classical Music Moments of the Week on YouTube (Published 2017)  The New York Times

ROYAL OPERA SEASON 2016 – 2017: theatre, cinema and radio  Gramilano

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