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“All That’s Left of You”: The Film That Arrived Too Late and Just in Time  Counterpunch

MELANIA’s Music  Counterpunch

‘The Voice of Hind Rajab’ Director Talks Using Cinema as a Force Against Genocide  Counterpunch

Poet Anne Waldman’s Star Turn  Counterpunch

Oscar-Nominated The Voice of Hind Rajab Leads the “Watermelon Wave” of Palestine Pictures  Counterpunch

A House of Dynamite’s Nuclear War Crisis Scenario is Chilling  Counterpunch

Cinema Beyond Cinemas: the Best Films of 2025  Counterpunch

A Vegan Review of One Battle After Another  Counterpunch

H: Kathryn Bigelow’s Empire of Fear  Counterpunch

My Favorite Films of the 21st Century  Counterpunch

Wag the Dog in Venezuela  Counterpunch

Aeolian Amrum: Found Sound, Lost Childhood  Counterpunch

TARF (Trans-Affirmative Radical Frankenstein) By Way of Guillermo Del Toro  Counterpunch

Wag the Dog 2.0: Trump’s Evasive Control of the News  Counterpunch

Freedom is a Constant Struggle  Counterpunch

The Movie “Adjunct” Effectively Depicts Gig Faculty Work  Counterpunch

I Went to See Superman As an Escape from Reality – Reality Was Still There  Counterpunch

Autocracy, Apocalypse and the Blue Glow: The State of America in Film  Counterpunch

How an “illegal” Iranian-Israeli Collaboration Resulted in One of the Strongest Films in Recent Years  Counterpunch

I Was in the Room Where It Happened: One Woman's Perspective on "The Trial of the Chicago 7"  Counterpunch

Thoughts on “Don’t Look Up”  Counterpunch

My Non-Collaborationist Barbie Film  Counterpunch

Letter from London: Depth of Field  Counterpunch

"Belfast:" Branagh’s Pathetic Paean to Northern Ireland’s Protestant Fascism and British Imperialism  Counterpunch

Horror Movies Against War  Counterpunch

The Making of Oliver Stone, the Unmaking of Hollywood  Counterpunch

Revisiting Shyamalan’s Signs  Counterpunch

Oscar Hangover Special: Why "Spotlight" Is a Terrible Film  Counterpunch