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Son of Saul : Versions of the Irrational  Film International

J. Hoberman Reviews Laszlo Nemes’ Brutal Holocaust Film ‘Son of Saul’  Tablet Magazine

Opinion | The unbearably brilliant ‘Son of Saul’ is a cinematic breakthrough  The Washington Post

Cannes Dispatch: Son of Saul  The Criterion Collection

‘Son of Saul’ a holocaust movie unlike any other  Orange County Register

'Son of Saul' and the Intimate Mechanisms of Genocide  The Atlantic

How ‘Son of Saul’ Defied the Dangers of Re-Creating the Holocaust  The Hollywood Reporter

Review: Set in Nazi death camps, 'Son of Saul' is a powerful, immersive vision of hell  Los Angeles Times

Oscar-Winning Producer Saul Zaentz Dies at 92  Variety

Set of ‘Son of Saul’ movie exists on Auschwitz’s edges  Naples Daily News

“Son of Saul” and the Ungraspable Horrors of Auschwitz  The New Yorker

Holocaust film Saul's 'struggle to remain human'  BBC

‘Son of Saul’ Director Says Jews Are Shunned in Cinema  Philadelphia Jewish Exponent

Movie review | Son of Saul: Distinct storytelling method makes Holocaust film worth emotional burden  The Columbus Dispatch

On the Death of the Comedy Blockbuster  Literary Hub

In ‘Son of Saul,’ Laszlo Nemes Expands the Language of Holocaust Films (Published 2015)  The New York Times

‘Son of Saul’: An immersive portrait of life in a Nazi death camp  The Washington Post

Cannes Film Festival: ‘Saul Fia’ From Laszlo Nemes, Is a Hungarian’s Horror Story (Published 2015)  The New York Times

Movie Review: Son of Saul, this time it’s personal  InSession Film

Review: ‘Son of Saul’ is a Holocaust movie unlike any other  France 24

Voicing the void: Hungarian director László Nemes on making a Holocaust film  New East Digital Archive

Son of Saul  Reverse Shot

Saul Landau obituary  The Guardian

Holocaust cinema: why film-makers are revisiting a never-to-be-forgotten hell | Movies  The Guardian

'Son of Saul' Review: Laszlo Nemes' Powerful Holocaust Drama  Variety

Son of Saul review – a stunning, excoriating Holocaust drama  The Guardian

Son of Saul review: an outstanding, excoriating look at evil in Auschwitz  The Guardian

Holocaust film wants to frustrate, confuse viewer as in Auschwitz  The Columbus Dispatch