7
  • Genre:
  • Production:BofA Productions
  • Released:2018-08-17
  • IMDB:tt8371772
A poetic journey into the visual world of the legendary filmmaker and actor Orson Welles (1915-85) that reveals a new portrait of a unique genius, both of his life and of his monumental work: through his own eyes, drawn by his own hand, painted with his own brush.
Available on: Stream
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Latest News

New to Streaming: A Magnificent Life Wuthering Heights Stranger Eyes An Unfinished Film & More  The Film Stage

‘Eyes of Orson Welles’ Review: A Love Letter to the Man Who Would Be Kane  Rolling Stone

One Orson Welles Movie Made It to Cannes: Mark Cousins’ Love Letter ‘The Eyes of Orson Welles’  IndieWire

‘The Eyes of Orson Welles’: Film Review | Cannes 2018  The Hollywood Reporter

Classic Film Review: The Eyes Have It — Orson Welles weaves “Black Magic” (1949)  rogersmovienation.com

“Hitchcock is Grammar”: Mark Cousins on My Name Is Alfred Hitchcock  Film International

The Story of Film: a New Generation by Mark Cousins, an exclusive screening  Festival de Cannes

Mark Cousins on Orson Welles’ Trumpian Characters, the Era-Defining Films of this Decade, and Ozu’s Sexuality  The Film Stage

My Name Is Alfred Hitchcock review – Mark Cousins’ cheeky and insightful study  The Guardian

The Storms of Jeremy Thomas movie review  Roger Ebert

My Name is Alfred Hitchcock review – deep film analysis with a twist  Little White Lies

Making Connections: Mark Cousins on his two new documentaries  The Skinny

Film Review: “Close Your Eyes” — Through the Past, Darkly  The Arts Fuse

One of the Most Influential Filmmakers of All-Time Has Been Resurrected By AI...for a Tour App  MovieWeb

My Name is Alfred Hitchcock | Review  The Haughty Culturist

In Theaters This Weekend: Reviews of ‘Wonder Park,’ Captive State,’ ‘Five Feet Apart’ and More  The Hollywood Reporter

Scotland on Screen: Mark Cousins on My Name Is Alfred Hitchcock  The Skinny

Cannes: Mark Cousins on His Two Odes to Cinema in the Lineup  The Hollywood Reporter

Orson Welles’ biggest warning to young filmmakers  Far Out Magazine

‘Women Make Film’: Film Review | Venice 2018  The Hollywood Reporter

Cannes 2018: Behind ‘The Eyes of Orson Welles’ – An Interview with Mark Cousins  The London Economic

‘Close Your Eyes’ Review: Victor Erice’s Elegiac Film  WSJ

‘Blue Moon’ NYFF 2025 Review: Linklater on Legacy, Loss, and Letting Go Through the Eyes of Lorenz Hart  The Movie Buff

10 Best Final Movies by Great Directors, Ranked  Collider

A Sudden Glimpse To Deeper Things: film review  The Skinny

Attack of the Unfinished Zombie Movies  POV Magazine

Sheffield Doc/Fest 2021: Caught, Portrait of Kaye, The Story of Looking  In Review Online

The Obsessions of Hitchcock, Welles, and Kubrick  Boston Review

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