Latest News

The Power of Memories: ‘Muriel’ and ‘Cemetery of Splendor’ (Published 2016)  The New York Times

The Film That Yields Nothing on a Second Viewing—or a First  The New Yorker

TRAVEL AGENTS: ALAIN RESNAIS’S JE T’AIME, JE T’AIME AND THE CINEMATIC TIME MACHINE  Artforum

Daisy Edgar-Jones and 'On Swift Horses' director explain that 'ride into the sunrise' ending  Entertainment Weekly

Berkeley retrospective puts wonder of French actress Delphine Seyrig on display  San Francisco Chronicle

Swoony Sunday Film Review: "On Swift Horses"  Substack

Movie Review: ‘On Swift Horses’ is a fumbled queer tale set against atomic blasts  CityNews Halifax

Whatever Wednesday: ‘Muriel’s Wedding’  thefandomentals.com

Muriel McKay's family offer £1m reward to find body  BBC

Victor Erice’s lost time  Engelsberg Ideas

‘On Swift Horses’: Toronto Review  Screen Daily

On Swift Horses review: Daisy Edgar-Jones and Jacob Elordi lead an 'overwrought' 1950s-set drama about hidden gay lives  BBC

Just how gay is 'On Swift Horses'? A spoiler-filled breakdown of Jacob Elordi's 1950s romance  Queerty

Criterion In July: From THE IN-LAWS To A TOUCH OF ZEN And More  ScreenAnarchy

‘The Quiet Son’ Review: A Timely Story Of A Family Torn Apart By Tragedy  Deadline

A Scorsese Interview, Fire Walk With Me on Vinyl, Kodak Brings Back Ektachrome!  The Criterion Collection

From Proof to Muriel's Wedding: Jocelyn Moorhouse on the films that broke Russell Crowe and Toni Collette  The Guardian

Alain Resnais 100  The Criterion Collection

Ridley Scott’s Favorite Movies: 10 Films the ‘Napoleon’ Director Wants You to See  IndieWire

The Second Best Exotic Marigold Hotel movie review: return visit  Flick Filosopher

‘On Swift Horses’ Review: Jacob Elordi and Daisy Edgar-Jones Light Up the Screen in a Ravishing Queer Epic  The Hollywood Reporter

On Swift Horses Review: Jacob Elordi and Daisy Edgar-Jones explore their sexuality in this period drama  JoBlo

Time Out movie review & film summary review:  Roger Ebert

Meet the Two Sisters Who Co-Directed a Brutal but Bloodless War Movie  No Film School

Celebrating 30 years of Muriel’s Wedding!  Now to Love NZ

From Muriel’s Wedding to Moulin Rouge: inside Jill Bilcock’s frantic world of film editing  The Guardian

Heroines of Cinema: Muriel Heslop  IndieWire

Changing the ending of Muriel’s Wedding was a betrayal of its feminist spirit  The Guardian