Latest News

Paz Vega to Direct ‘Ana No,’ Sold by Film Factory (EXCLUSIVE)  wtyefm.com

That Obscure Object of Desire : Desire, Denuded  The Criterion Collection

'By Design' Review: That Obscure Object of Desire  Slant Magazine

Paz Vega to Direct ‘Ana No,’ Sold by Film Factory (Exclusive)  IMDb

‘Every Day’ and 6 More Films With Multiple Actors Playing a Single Character  The Hollywood Reporter

Subversion, Cool and Collected (Published 2013)  The New York Times

Three Films by Luis Buñuel  Trailers From Hell

Cutting Light  The New Yorker

17 Best Final Films by Great Directors  IndieWire

Carole Bouquet Keeps Blooming  interviewmagazine.com

Park Chan-wook: ‘I admire Buñuel and the women in his most enigmatic films, and it shows in this thriller’  EL PAÍS English

That Obscure Objectless Desire: Smithereens and the Agony Of Aimless Obsession  Bright Wall/Dark Room

Five Questions For: Carole Bouquet  W Magazine

10 Great Movies Recommended by Jane Campion  Collider

Carole Bouquet on 'Unforgivable' and Acting Abroad  Backstage

Review: Luis Buñuel’s That Obscure Object of Desire on Lionsgate Blu-ray  Slant Magazine

The Discreet Charm of the Bourgeoisie: More and Less  The Criterion Collection

Screen: Bunuel's ‘That Obscure Object of Desire’ (Published 1977)  The New York Times

How Edgar Wright’s Parents and Quentin Tarantino Inspired ‘Last Night in Soho’  The Hollywood Reporter

Buñuel in Mexico  The Criterion Collection

Jane Campion’s Favorite Movies, from ‘Seven Samurai’ to ‘The Night Porter’  IndieWire

10 Essential Doppelgänger Films to Watch Before ‘Enemy’ and ‘The Double’  The Film Stage

Dry Leaf  Reverse Shot

Father, The (United Kingdom/France, 2020)  Reelviews Movie Reviews

Luis Buñuel: The “hero” filmmaker Wes Anderson thinks about “every day”  Far Out Magazine

Terry Gilliam Visits a Video Store & Talks About His Favorite Movies and Actors  Open Culture

10 Best Rom-Com Book-To-Movie Adaptations, According to Letterboxd  Collider

‘Yourself and Yours’ (‘Dangsinjasingwa dangsinui geot’): Film Review | TIFF 2016  The Hollywood Reporter