6
  • Genre:
  • Production:Royal Opera House
  • Released:2020-03-09
  • IMDB:
Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity.
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Latest News

Royal Opera House 2019-20 Review: Fidelio  OperaWire

A London ‘Fidelio’ With a German Twist (Published 2020)  The New York Times

Fidelio, Royal Opera review - fitfully vivid singing in a dramatic void  The Arts Desk

Chen Reiss  The Kennedy Center

Musical peaks: Beethoven's Fidelio at Covent Garden with Lise Davidsen and Jonas Kauffmann  planethugill.com

Chaos in the Underworld: Andriy Zholdak directs Fidelio at DNO  Bachtrack

Fidelio, Royal Opera, Covent Garden, review: the staging's silly, but Lise Davidsen justifies the price of any ticket  The Telegraph

Fidelio review – Davidsen approaches greatness in uneven production  The Guardian

Fidelio at The Royal Opera House  The Upcoming

Tobias Kratzer gets the second act all wrong in the Royal Opera's Fidelio  The i Paper

Damian Lewis participates in Deloitte Ignite at the Royal Opera House  Gramilano

Metropolitan Opera to Present ‘Fidelio’ Starring Lise Davidsen  OperaWire

5 Operas You Can Stream at Home (Published 2023)  The New York Times

Fidelio, Royal Opera House  The Arts Desk

The week in classical: Fidelio; London Philharmonic Orchestra/ Vänskä – review  The Guardian

The week in classical: Fidelio; Messiaen: Vingt Regards; Spinifex Gum – review  The Guardian

Live music returns to Royal Opera House for an online audience  The Guardian

Opera's rising star: Lise Davidsen on learning to handle the high life  The Guardian

The week in classical: Fidelio; Gabriela Montero – review  The Guardian

George Orwell’s 1984 Staged as an Opera: Watch Scenes from the 2005 Production in London  Open Culture

Fidelio, Royal Opera House, review: As they say in football, it’s a game of two halves  The Independent

‘We’re breaking through slowly!’ – Rachel Portman, Oscar-winning ‘Emma’ composer  Classic FM

Dame Gwyneth Jones  BRUCE DUFFIE

Fidelio – Royal Opera House | Review  LondonTheatre1

The Royal Opera House was supposed to open up - now it looks like a closed club  The Telegraph

Giving and misgivings: opera managers must choose their poison  The Guardian

Fidelio: behind the scenes with Jonas Kaufmann at opera’s biggest event of the year  The Telegraph

Alexander Soddy: ‘I’m on to my fifth Ring cycle, which isn’t bad!’  The Times

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