Latest News

Why Doesn’t Trump Like Wind Farms?  The New York Times

Every Taylor Sheridan Movie, Ranked From Worst To Best  SlashFilm

Red Bull Rampage: Against the Wind  Red Bull

Alone at the Edge of the World  The Atavist Magazine

‘Running Against the Wind’ and into uncertainty  Los Angeles Times

The A to Z of The Other Side of the Wind  FilmInk

On One-On-One by Hanif Abdurraqib  The Paris Review

Running Against the Wind review – brothers fight for their future in Ethiopian sports drama  The Guardian

Douglas Sirk’s ‘Written on the Wind’ Blows Away 1950s-Era Conventions  PopMatters

'Wind River' ending explained: What really happened to Natalie?  Entertainment Weekly

Why I Threw Away My Copy of Gone with the Wind  Washington Monthly

The Tough Love of Judy Davis in “Nitram”  Los Angeles Review of Books

‘The Wind’ Review: Female Frontier-Gothic Horror on the High Plains  Rolling Stone

Wind River (2017) | History 2065 2021 Colonialism at the Movies Blog  U.OSU

What to Know Next Time You Watch 'Gone With the Wind'  Time Magazine

‘Running Against the Wind’ Review: Love and Friendship in Addis Ababa (Published 2021)  The New York Times

‘Gone With the Wind’ and Controversy: What You Need to Know (Published 2020)  The New York Times

The Long Battle Over ‘Gone With the Wind’ (Published 2020)  The New York Times

7 Things You Didn't Know About 'Gone With the Wind'  Time Magazine

The Other Side of the Wind movie review review:  Roger Ebert

Written on the Wind  The Criterion Collection

‘Gone With the Wind’ is also a Confederate monument, but on film instead of stone  The Washington Post

Movie review: “The Boy Who Harnessed the Wind” makes for an award-winning drama  The Lantern

HBO Max Pulls 'Gone With the Wind' and That's a Good Thing  No Film School

One Of Orson Welles’ Movies Took Nearly 50 Years To Make Before Releasing On Netflix  ScreenRant

Everything That Annoyed Me About a Megapopular Novel Gets Even Worse in Netflix’s Adaptation  Slate Magazine

Two sides boldly taking a stand movie review review:  Roger Ebert

‘Gone With the Wind’ is the one Confederate monument worth saving  The Washington Post