Latest News

Paradise school bus driver’s heroic story from Camp Fire becomes Hollywood film  KCRA

Paradise Now's Understated Power  Middle East Research and Information Project

"Paradise Now" Grapples With the Moral Grayness in Us All  The Swarthmore Phoenix

Return to Nablus: the changing picture of the West Bank  The Observer

Interview with Hany Abu-Assad, Palestinian filmmaker ( Paradise Now Omar ): “Gaza is the Bastille of our day … a lot is going to change”  World Socialist Web Site

'Paradise' Creator Reveals Filming Start on New Kevin Costner's New Drama With Jake Gyllenhaal [Exclusive]  Collider

From Turtles Can Fly To Paradise Now: Film Roundup On War Stories Amid The Middle East Conflict  ETV Bharat

Paradise Now  The Guardian

The Poetics of Politics: An Interview with Hany Abu-Assad  Jadaliyya

Questions, from here to eternity movie review  Roger Ebert

Paradise Now  openDemocracy

Nani’s Paradise Gets Crowded With ‘Versatile Villains’  Gulte

Review: Paradise Now  Slant Magazine

‘Paradise Now’s’ Lubna Azabal, ‘A Prophet’s’ Slimane Dazi Join ‘El Houb’ (EXCLUSIVE)  Variety

Review: Paradise Now (Palestine, 2005)  Cinema Escapist

‘Songs of Paradise’ ending explained: Who burned Noor Begum’s records?  Lifestyle Asia

Make Films, Not War  Haaretz

Paradise Now! review – sharp satire of girlboss extremes  The Guardian

The Palestinian Invasion: Will “Paradise Now” Be the Biggest Arabic-Language Film Ever?  IndieWire

Paradise Now  Box Office Mojo

Huda’s Salon Wins the Dutch Movies Matter Award  goldenglobes.com

Paradise Now nomination opposed  Al Jazeera

Paradise Now: The Legacy of “Descendants”  Newcity Film

With “Omar,” Director Hany Abu-Assad Rediscovers Palestinian Cinema  The Indypendent

Paradise Now: The Extraordinary Life of Karl Lagerfeld by William Middleton review – planet fashion’s caped crusader  The Guardian

200 Meters (Jordan): Interview with Actor Ali Suliman  goldenglobes.com

“Paradise Now” Captures MPAC’s 2006 Media Award  Washington Report on Middle East Affairs

Following Orders  The New Yorker