I Am a Camera

6.219
  • Genre:Comedy, Drama
  • Production:Romulus Films
  • Released:1955-07-21
  • IMDB:tt0048188
Just before the Nazis ascend to power in Berlin, Chris, an aspiring novelist from England, meets flamboyant cabaret entertainer Sally Bowles and an unusual friendship is born. As Sally feeds her extravagant tastes, Chris goes along for the ride, until their Jewish pal, Fritz, encounters trouble.
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-51 %

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34 %

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Latest News

The Beautiful Mess of Seeing: A Reckoning With Authorship and Power in Collaborative Filmmaking  International Documentary Association

Essay: Divine Decadence—A Look Back at Porchlight’s I Am a Camera and Cabaret  Third Coast Review

Blu-ray: I Am a Camera  The Arts Desk

I Am a Camera: Kristen Johnson’s Cameraperson  Film Comment

‘Divine decadence, darling’: Photos from behind the scenes of Bob Fosse’s ‘Cabaret’  dangerousminds.net

Cabaret  4Columns

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Screen: 'I Am a Camera' (Published 1955)  The New York Times

I Am a Camera: An Interview with Rachel Kushner  The New Yorker

WHAT FILM CAMERAS ARE SOME OF SKATING’S BEST PHOTOGRAPHERS USING?  Jenkem Magazine

Wim Wenders: “Everything I loved I had to defend”  The Talks

The Astonishing Images of I Am Cuba  The ASC

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Cabaret Undressed! The Real-Life Stories Behind the Gritty, Glittering Broadway Hit  Broadway Shows

New Parenthood and Documentary Inequity  International Documentary Association

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“Any Human Who Films Is Already Part Machine”: Kirsten Johnson Searches for the Ineffable  International Documentary Association

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A lost film by Israeli B-movie director Sam Firstenberg gets a new life  Jewish Telegraphic Agency

Julie Harris, 1925-2013: A Remembrance  Roger Ebert

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Camera review: the flawless BOMM V810 8×10 camera  emulsive

“I Wanted to Write a Trans Woman Who Had Really Bad Politics”: Filmmaker Louise Weard on the Abject Tragicomedy of Her DIY Epic Castration Movie  Filmmaker Magazine

Emilio Estevez: "If you want to know how I view the world, look at my films"  Big Issue

Robert Bresson: ‘I’m not a director. I am a filmmaker.’  Literary Hub

The slick and the raw  Roger Ebert

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