Latest News

Siegfried review – invigorating and mesmerising staging, with Schager outstanding as Wagner’s hero  The Guardian

Siegfried, Royal Opera review - no bully, but a bright boy who learns fast  The Arts Desk

Opera Meets Film: How Quentin Tarantino's 'Django Unchained' Is Inspired By Wagner's 'Siegfried'  OperaWire

‘Django Unchained’ pays homage to Wagner’s ‘Siegfried’  Los Angeles Times

Die Nibelungen: Siegfried (1924) - Movie Review  Alternate Ending - Movie Reviews

The Met: Live in HD presents Wagner's 'Siegfried'  Cleveland.com

Netflix’s new heist movie has got composer Richard Wagner trending. Here’s why.  Classic FM

Wagner's Ring Cycle from Metropolitan Opera in its entirety coming to movie theaters in May  MLive.com

Royal Ballet and Opera Announces 2025/26 Cinema Season  The Arts Shelf

Why Jews Stood Up for Richard Wagner  The Forward

A Field Guide to the Musical Leitmotifs of “Star Wars”  The New Yorker

From Opera to MMA: Nationalist Symbolism and the German Far Right  Fair Observer

What Becomes a Legend Most: Fritz Lang Adapts the Nibelungenlied  Bright Lights Film Journal

The Gigantor of Art  Los Angeles Review of Books

10 films that utilize Wagner’s music  Los Angeles Times

Opera Meets Film: Hayao Miyazaki’s ‘Ponyo’ Is an Adaptation of Wagner’s Magnus Opus  OperaWire

Before Wagner’s Cycle, but That Legend Has a Familiar Ring (Published 2013)  The New York Times

Why was Blue Story withdrawn when people are being duffed up at the opera?  The Guardian

Soundtracks of Cinema: ‘Army of Thieves’  Vague Visages

How Do You Conquer One of Opera’s Toughest Roles? Start Light (Published 2019)  The New York Times

Circling the ‘Ring’  The New York Times

Wagner’s “Siegfried” from the Met – Record 5.5 Hour Opera Telecast Encore  Berkshire on Stage

Listening to “Star Wars”  The New Yorker

Watch Wagner's Ring Cycle: A Complete 15-Hour Performance Is Now Free Online Thanks to the BBC  Open Culture

Nearly completing the 'ring'  China Daily

The Ring Cycle review – thrilling spectacle matched by talent, over 16 hours of unforgettable opera  The Guardian

Lessons from Excalibur  National Review

Perspective | The Met’s ‘Ring’ succeeds in spite of — and in no way supported by — a $16 million set  The Washington Post